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Composers:
Adams, H. Leslie Akpabot, Samuel Ekpe Alberga, Eleanor Bonds, Margaret Allison Brouwer, Leo Burleigh, Henry Thacker Coleridge-Taylor, Samuel Cunningham, Arthur Dawson, William Levi Dede, Edmond Dett, R. Nathaniel Elie, Justin Ellington, Edward K. "Duke" Euba, Akin Garcia, José Mauricio Nunes Hailstork, Adolphus C. Holland, Justin Jeanty, Occide Johnson, James Price Joplin, Scott Kay, Ulysses Simpson Khumalo, Mzilikazi Lambert, Charles Lucien, Sr. Lambert, Lucien-Leon G., Jr. Lamothe, Ludovic Leon, Tania Moerane, Michael Mosoeu Perkinson, Coleridge-Taylor Pradel, Alain Pierre Price, Florence Beatrice Smith Racine, Julio Roldan, Amadeo Saint-Georges, Le Chevalier de Sancho, Ignatius Smith, Hale Smith, Irene Britton Sowande, Fela Still, William Grant Walker, George Theophilus White, José Silvestre Williams. Julius Penson
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Microsoft Encarta Africana Encyclopedia, Third Edition
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Home ->
Composers -> Dede, Edmond
Français
1 Birth
Edmond Dede was a free Creole of color, born Nov. 20, 1827 in
New Orleans, Louisiana. His parents had arrived from the French
West Indies around 1809. Edmond's father was a bandmaster for a
militia unit.
2 Violin Prodigy
The boy first learned Clarinet, but switched to Violin, on which
he was considered a prodigy. The liner notes for the Naxos CD
were written by Lester Sullivan, University Archivist at Xavier
University in New Orleans. Sullivan writes:
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He studied violin with Constantin
Debergue, a local free black violinist and
director of the local Philharmonic Society
founded by free Creoles of color sometime
in the late antebellum period, and with
Italian-born Ludovico Gabici, director of
the St. Charles Theater orchestra and one
of the earliest publishers of music in the
city. He studied counterpoint and harmony
with Eugène Prévost, French-born winner
of the 1831 Prix de Rome and conductor
of the orchestra at the Théâtre d'Orléans,
and with New York-born free black
musician Charles Richard Lambert, father
of Sidney and Lucièn Lambert, and a
conductor of the Philharmonic Society,
which was the first non-theatrical
orchestra in the city and even included
some white musicians among its one
hundred instrumentalists, an extremely
large aggregation for the time. |
3 Mon pauvre coeur
Subsequent instruction from Ludovico Gabici ended when white
hostility against African American musicians forced him to flee
to Mexico, where he continued his training. Upon his return to
New Orleans Dede began working as a cigar maker. He saved his
earnings to pay for further studies in Europe. Lester Sullivan
adds:
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In 1852 Dede's melody Mon pauvre coeur appeared. It is the oldest surviving piece
of sheet music by a New Orleans Creole
of color. He supplemented his income
from music with what today would be
characterized as his day job: he was a
cigar maker, as were a number of other
local musicians. |
4 Paris Conservatory
His savings and money contributed by friends enabled him to
travel first to Belgium and then on to France. An audition in
1857 secured his admission to the Paris Conservatoire de Musique
(Paris Conservatory of Music). Marcus B. Christian
writes in Africana Encyclopedia:
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One of his teachers at the conservatory
was the celebrated Jacques-François
Halevy, who taught Charles-François
Gounod. In this way, Dede later became
an intimate friend of this great composer.
His other instructor was noted French
violinist and teacher Jean Delphin Alard. |
5 Eugene Arcade Dede
Upon completion of his studies, Dede settled in Bordeaux,
France. He married a French woman, Sylvie Leflet, in 1864. Their
son, Eugene Arcade Dede, also composed classical music. Eugene's
mazurka En chasse (4:12) was orchestrated by his father and is
included on the Naxos CD.
6 Conductor & Violinist
The elder Dede served as Orchestra Conductor at the Theatre
l'Alcazar (Alcazar Theater) for 27 years. He also conducted
performances of light music at the Folies Bordelaises. As a
highly accomplished violinist, Dede performed his own
compositions as well as those of others. He favored pieces by
the French composer Rodolphe Kreutzer (1766-1831).
7 Quasimodo Symphony
An African American composer, musician and conductor named
Samuel Snaer, Jr. (1835-1900) conducted the first New Orleans
performance of Dede's Quasimodo Symphony. Patrons and music
critics alike regarded the concert a great success. Marcus B.
Christian continues in Africana Encyclopedia:
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Dede's Quasimodo Symphony was
presented at the Orleans Theater on the
night of May 10, 1865, before a vast
audience composed of the leading blacks
of New Orleans and prominent Northern
whites, with composer-conductor Samuel
Snaer, Jr. leading his own orchestra in
its production. All of his compositions
were considered of the highest order,
including his best known piece, Le
Palmier Overture (1865). During a stint in
Algeria he wrote Le Sermente de L'Arabe
(1865). |
8 Farewell
to Segregation
Dede returned to New Orleans only once, in 1893. He lost his
treasured Cremona violin at sea during the voyage to the United
States, but his performances on another instrument were praised
by critics and audiences alike. Lester Sullivan writes:
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Dede also introduced two new songs, one
of which, Patriotisme, he regarded as his
farewell to New Orleans, for in it he
laments his destiny to live far away
because of "implacable prejudice" at
home. [The song is a setting of a poem of
the same name, written by the African
American historian Rodolphe Lucien
Desdunes (1849-1928).]
Grateful for receiving honorary
membership in the Société des Jeunes-Amis, a leading local social group
composed mostly of Creoles of color of
antebellum free background, but weary of
the increasing inconveniences and
indignities of racial segregation, Dede
returned to France and became a full
member of the Society of Dramatic
Authors and Composers in 1894. |
9 Death
Dede died in 1903 in Paris, where many of his compositions have
been preserved at the Bibliotheque Nationale (National Library)
. It was there in 1998 that Richard Rosenberg found the sheet
music for the Naxos CD. He also found scores for works by
several other Creole Romantics, including:
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Eugene Arcade Dede
Charles Lucien Lambert
Lucien-Leon Guillaume Lambert
Sidney Lambert |
10 Hot Springs Music Festival
Rosenberg is Conductor of the Hot Springs Music Festival, which
brings together 200 music students and professionals from around
the world each Summer. Master classes and public performances
are given in the historic resort town of Hot Springs, Arkansas.
11 Sheet Music Collections
Marcus B. Christian identifies two locations at which the early
African American sheet music of New Orleans has been conserved:
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For original scores of New Orleans black music, see the
Howard-Tilton Library of Tulane University and the Marcus
Christian Collection of the Earl Long Library at the
University of New Orleans. |
12
My Poor Heart
[Excerpt]
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When I see you Oh! my Creole love,
I think I see a halo,
Decorating your brow,
Divine one, every day I beseech you,
With passion,
To share the flame that devours,
My poor heart. |
13 Bibliography
Edmond Dede, Naxos 8.559038 (2000). Liner Notes by Lester
Sullivan, University Archivist, Xavier University, and Richard
Rosenberg, Conductor, Hot Springs Music Festival.
Microsoft Encarta Africana Encyclopedia, on CD-ROM and in book
form published by Basic Civitas Books. Kwame Anthony Appiah and
Henry Louis Gates, Jr., Editors.
14 'Hidden
Cultural Picture'
A visitor to the Web site has left this comment on the biography
of Edmond Dede:
"That is most fascinating - it reveals a previously hidden
cultural picture which far too few of our contemporaries could
conceive. This suggests a rarely seen dimension to that epoch,
and raises a lot of questions."
This page was last updated
on
novembre 10, 2009
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