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Roald Dahl's Snow White and the Seven Dwarfs
Helen MacGregor & Stephen Chadwick
Orchestral Music: Eleanor Alberga
A & C Black Ltd. (2001)
If the Silver Bird could speak
Only a wish away
Thalia Myers, piano
Nmc Records (1999)
Roald Dahl's "Snow White and the Seven Dwarfs"
String Quartet No. 3
1 A Contemporary Composer
Born in Jamaica, Eleanor Alberga is now a leading British
composer of contemporary concert music. She has also
distinguished herself as a solo pianist, and has traveled the
world with her husband, violinist Thomas Bowes, performing with
him under the name Double Exposure. Her talents as a
composer have won her numerous commissions, leading to widely
2 A Piano
Student at Five
Eleanor Alberga was born in Kingston, Jamaica in 1949. Her
early musical activities are recounted in a biographical essay
at her Web site
Born in 1949, in Kingston, Jamaica, Eleanor Alberga began her musical career learning the piano at the age of five. She later gained the only biennial West Indian Associated Board scholarship, which she took up at the Royal Academy of Music in London, where she has
retained links as guest lecturer / composer.
Alberga studied both classical piano and singing at the Royal
Academy of Music. Having arrived in Britain as a student
in 1970, she remained in the country permanently.
3 Pianist &
Alberga's extraordinarily varied career as
a composer and performer is summarized in an online biographical
sketch by ABRSM Publishing:
She spent three years performing with authentic African dance company and has sung with internationally celebrated Jamaican Folk Singers. She is also a professional pianist. Her compositional activity began with writing for London Contemporary Dance Theatre. This has led to a wide range of concert music encompassing, besides electronic scores, works for orchestra, choral and chamber ensembles, and pieces for solo instruments.
Alberga held the post of Music Director at the London
Contemporary Dance Theatre.
An example of Alberga's many commissions,
and one of her contemporary compositions for orchestra, is Suite from Dancing with the Shadow (14:59). The CD, part of
the British Women's Composer's Series, is Lontano 103 (1992).
Diana Ambache writes of Alberga's commissions at the Web site
Women of Note, www.Ambache.co.uk:
Her many commissions encompass a wide
range of solo and chamber music as well as orchestral works. Mythologies was premiered in June 2000 with Leonard Slatkin conducting. Other recent commissions include three String Quartets for the Maggini and Smith Quartets; Dancing with Shadows for Lontano; and Glinting, Glancing Shards for the Delta Saxophone Quartet. She was invited to participate in the prestigious Composer to Composer Festival in Colorado, USA, and was a featured composer at the Vale of Glamorgan Festival. Her violin concerto was commissioned by the Scottish Chamber Orchestra, and premiered with her husband Thomas Bowes as soloist in November 2001.
The Times commented "It is rare, in etiolated
world of contemporary music, for a composer to be called back to the stage three times by an enthusiastic audience after the first performance of a work. But that was the reception accorded Alberga after the premiere of her new violin concerto."
The composer's Web site notes that Alberga has also won a
pioneering commission as a woman composer:
Eleanor Alberga was the first composer to be commissioned for the inaugural Festival of Women in Music.
Diana Ambache adds that in 1991 Alberga composed the film score
for Escape from Kampala, for which she was nominated to
receive an award.
5 Orchestral Performances
Eleanor Alberga's Web site speaks of her international renown as a
composer of orchestral music:
Eleanor Alberga has established herself in the mainstream of British contemporary music and now enjoys an international reputation as a composer. Her music has been performed by many leading orchestras, including the London Philharmonic, Royal Philharmonic, Bournemouth Sinfonietta, London Mozart Players and the Women's Philharmonic of San Francisco, with performances in countries as far afield as Australia and China. Among her many acclaimed projects is her adaptation of Roald Dahl's Snow White and the Seven Dwarfs, which received its premiere at the Royal Festival Hall in 1994 with Franz Welser M÷st and the LPO.
Alberga's orchestral music for Snow
White and the Seven Dwarfs has been recorded by The
Taliesin Orchestra on a CD, released along with a book, by A & C
Black Ltd. (2001).
Eleanor Alberga has won acclaim as
a piano soloist at some of Britain's leading venues, including
performing with the Orchestra of the Royal Opera. Her husband,
violinist Thomas Bowes, is a highly respected virtuoso in his won
right. In keeping with Eleanor's interest in contemporary
music, their duo, Double Exposure, both performed and commissioned
new compositions. Alberga has since given up piano performances so
she can devote all her time to composing. For several years,
though, she and her husband enthralled concert audiences in city
after city. To get a taste of Double Exposure in concert, we
will sample a review by Becky Ball, the music critic of The Oak
Ridger, a newspaper in Oak Ridge, Tennessee, on April 28, 1997.
The title is: Violin-piano duo leaves its audience aghast.
It opens with an exclamation of the names of the performers:
Eleanor Alberga and Thomas Bowes! Remember their names, because long after the
Oak Ridge Civic Music Association can no longer afford them, you'll be hearing about this phenomenal husband-and-wife duo. They make up Double Exposure, the violin/piano
team that left its audience aghast Saturday
night at the Pollard Auditorium.
Subscribers to the Chamber Music series were riveted
by Double Exposure. The musical intimacy, the superior technique
and the fresh and free-wheeling rhythmic aplomb of these two
musicians give them an edge over just about everybody, and they
clearly are the best violin/piano duo most of us have ever
Without flagging, Jamaican
composer/pianist Eleanor Alberga and British violinist Thomas Bowes played a wickedly difficult program of show-stoppers.
There was even steam left in the boiler for the encore,
Wieniawski's devilish Tarantella. It was only the
audience that had to hold on to their seats. This when they
happily returned to them after a lengthy standing ovation.
Bach's Sonata for Violin and Keyboard in E major
and Four Hungarian Dances by Brahms, transcribed
for violin and piano by Joachim, were the strong bookends to a
wonderfully weighty program.
Bach's opening adagio in
which melody was everything was a perfect choice to expose us
to Bowes' amazingly beautiful, vibrant tone which he
sustained all evening on his 1659 Amati violin.
Eleanor Alberga's The Wild Blue Yonder transported
the listeners into a bewitching contemporary sound realm. The
1995 composition, she explained, is something like landing
on a strange planet and watching it go from the brink of
instability to complete instability before it tries a
reconciliation that in the end does not work.
Individually and together the couple was shockingly
electric! It's a good thing that Alberga is not easily
disoriented at the piano. In her piece and in Bartok's Sonata
No. 2, there were frequent shifts in both hands to the
extreme ends of the piano. Not only did she make the leaps
effortlessly, she adjusted her tone to effect tone colors apart.
She is one
very talented pianist/composer.
7 Works in Progress
Diana Ambache writes that Alberga has received a scholarship
allowing her to experiment with new techniques of composition:
She has recently been awarded a NESTA [National Endowment
for Science, Technology and the Arts] scholarship to develop and
experiment with compositional techniques and ideas.
One can get a glimpse of what the composer's future works may look
like by reading the summaries of recent works at her Web site.
One of the works was performed at the concert reviewed above: The
Wild Blue Yonder (13:00). Alberga says it has seven
motifs, and she lists four sections, beginning with "an exposition"
and ending with "an acknowledgement of the irreconcilable".
Alberga is clearly a composer whose works are infused with thoughts
which extend from the most personal to the largest scale. Audiences
can anticipate many more thoughtful and adventurous works of music
from this gifted composer of contemporary concert music.
Composers and Musicians
produced many other composers and musicians of African descent.
Joy Lumsden operates a very informative Web site on the most
successful of them, Jamaica's Classical Musicians, which provides
biographies, lists of works, and historical documentation:
This page was last updated
May 31, 2014